Bloody entertaining

I always find it makes a book more interesting to read it at the same time of year that the story is set. So, when British author S.J. Bolton's latest thriller, Blood Harvest, came into our collection, it struck me that it takes place in a small English town in autumn, particularly around Halloween, and I grabbed it.

Blood Harvest is set in Heptonclough, a farming community which continues to hold onto its ancient and medieval traditions, specifically the local fall animal slaughter. This is when Harry Laycock, the new vicar, arrives and opens the old church, closed for almost ten years. Harry hears strange noises coming from the church, and witnesses some terrifying occurrences. Concurrently, the Fletcher family, also new to the area, has moved into their recently built house on the border of the graveyard. The three children, ten year old Tom, five year old Joe and toddler Millie are all aware of an unusual figure who moves stealthily through the graveyard, a figure with a penchant for imitating others' voices and giving Tom the willies by constantly watching him. Can this mysterious figure somehow be involved with the rash of deaths and disappearances of young girls in the last ten years? Are the disappearances one of the ongoing rituals of the community? And how does the abduction of one of the Fletcher children tie in with what's happening?

This is a spine-tingling, suspenseful novel that gripped me with its assortment of both intelligent and odd characters, chilling settings, and terrifying moments. It's a book I recommend you read with the blinds closed.

A worthy witchy read

Alys is a young woman in 16th century England who is at the centre of Philippa Gregory's The Wise Woman. The story opens with Alys awakening in the abbey where she has been living in comfort since her childhood. When the abbey becomes the nocturnal target of arson by supporters of Henry VIII, Alys flees back to Morach, the wise woman who helped raise her. Because of her training with Morach, Alys is called to the castle of the elderly Lord Hugh, who has been ill and presumed dying by his physicians. When Alys heals him, he insists she stay as one of the ladies to his daughter-in-law, Catherine. While in residence, Alys begins an affair with Catherine's husband, the young Hugh, which starts a tale of obsession, magic, and betrayal.

Actually, lots of betrayal. Alys is a master at it. She is quick to alter her allegiances if it means comfort, warmth, food and attention. She first betrays Morach, who gave her a home. Okay, a hovel, but she was fed by Morach, and taught herb-lore and midwifery, which helped Alys get to Lord Hugh. She quickly left Morach for the abbey, and Mother Hildebrande, for whom Alys appeared to have a deep and genuine love, but who she left to burn in her bed in order to quicken her own escape. She then betrays Morach again when she lets her take the blame for certain events that happen to Lady Catherine, who, after years of barrenness, finally appears pregnant, with Alys's help. She waffles with her affection for the young Hugh, sometimes believing herself in love with him, sometimes that she is using him for her own advancements. And when she has a chance to redeem herself regarding her faith and her abbey, she turns away from that too.

Alys is one of the most conniving, hideous and morally deprived characters I have ever come across in literature. She definitely earns the book's title, as her wisdom comes in two forms: herb-wisdom and the knowledge to think quickly on her feet to save her own skin. There were times I had pity for her; I'm not sure I wouldn't try to do the same things (well, not all of the same things) if I were filthy and cold and had had a taste of the good life. But deep down, I was revolted by Alys and her actions. Does this make for a bad book? No. And, when she has a chance to clean her conscience, I was interested in how Gregory would end the book. Was it an ending I found satisfying? I know my opinion, but try it out for yourself.