Knowledge is but a clicker box away

Ah, winter. Darkness, warm clothes and cuddly blanket, hot chocolate. All things that make me feel cozy, and physically lazy (especially after a few hours of cross country skiing or walks in the snow). Ironically, it is the time I feel most intellectually stimulated, and I seek out non-fiction as much as 'deep' fiction.

However, when life deems that reading time is allotted but in small chunks, non-fiction, full of dates, facts and figures, is not the optimum choice. What's a reader to do?

Turn on the TV!

I don't do it often, but now and then I rise early in the morning, taking my cuddly paraphernalia in the basement where my TV is, and indulge in some great documentaries. I just finished discs 1-4 of the BBC's The Private Life of a Masterpiece. They contain thirteen 'biographies' of some of history's most celebrated works of art. Starting with magnificent La Primavera by Sandro Botticelli, the series examines works from Italian Renaissance, Dutch and Spanish Baroque, and early Romanticism, a classic Japanese print, and ending with the birth of modern art.

Despite having studied art history pretty much all my adult life, I have yet to see most of these works, so it adds some dimension to seeing the works' settings, rather than just the image head on. There is a greater impact seeing Leonardo's Last Supper as it is meant to be, as part of a monastery's refectory, and imagine the impact of sitting and dining under this powerful painting! Also, some of the musings from the interviewees makes me stop and realise "hey, I never thought about it that way." My particular favorite episodes thus far are Edvard Munch's The Scream and James McNeill Whistler's Arrangement in Grey and Black No.1 - Portrait of the Artist's Mother, oddly enough, since I've never been much of a modernist. Perhaps now I'm ready to learn about that which used to turn me off.

Ah, the power of television.

Past lives makes great present entertainment

I love books about past lives. I love the fact that if I can't make my mind up if I want to read something contemporary or historic, I can have both in one cover! Whether it's a book on reincarnation, or a modern character researching past events, a good author will bring you into and hold your interest in both worlds, frustrating you when you leave one storyline, but immediately hooking you back into the other.

Here are a few of my favourites:

Possession by A.S. Byatt.
Two contemporary historic scholars join forces through their respective research of two Victorian poets, whose various writings reveal their torrid extramarital affair.

Marianna by Susanna Kearsley
When Julia Beckett first saw Greywethers as a child, it was a poignant moment which would one day lead her to purchase it. Once in residence, she finds herself daydreaming about Mariana, a woman who lived in the house four hundred years earlier, and Richard de Mornay, the man Mariana loves. When and how did their love end?

Lady of Hay by Barbara Erskine
Matilda de Braose was put to death by King John in the 12th century. Centuries later, journalist Jo Clifford undergoes hypnosis while researching Matilda's story, becoming increasingly obsessed as she realises that Matilda is in fact Jo herself in a previous existence.

The Gargoyle by Andrew Davidson
Recovering from a horrific car crash that left him burnt beyond recognition, the book's narrator meets manic artist Marian Engel, who tries to get him to remember their former life together in medieval Germany.

The Haunted Ground by Erin Hart
The discovery of a well-preserved woman's head in a peat bog brings together Irish archaeologist Cormac and American pathologist Nora to determine how long ago she died. Concurrently, local authorities investigate the recent disappearance of the wife and child of a local landowner.

The Da Vinci Code by Dan Brown
Yes, fine, the ubiquitous Da Vinci Code, but it's a fun read about secret religious societies, ancient coverups and vengeance. When the Louvre's chief curator is murdered, his body is symbolically laid out before the Mona Lisa. When his granddaughter, Sophie Neveu, a police cryptologist, joins forces with Harvard symbologist Robert Langdon, their investigation leads to the legendary Priory of Sion, a nearly 1,000-year-old secret society whose members have included Botticelli and Isaac Newton, and the conservative Catholic organization Opus Dei.

The Sinner's Tale by Will Davenport
When a tawdry scandal threatens to destroy Beth Battock's political career, she is forced to return to the provincial hometown and the relatives she’s kept secret. There, she discovers the tale of Sir Guy de Bryan, whose sweeping epic of the havoc wrought by war serves as an example for the present day.

The Drowning Tree by Carol Goodman
After the suspicious death of her oldest friend, stained glass restorer Juno Mackay delves into Christine's past and her obsession with Pre-Raphealite artist Arthur Penrose, his wife and sister-in-law, and the stained-glass portrait he commissioned a century ago.

She Walks These Hills by Sharon McCrumb
The ghost of 18 year old Katie Wyler, captured by the Shawnee in North Carolinain 1789, haunts the Appalachian wilderness. The story of her escape inspires ethno-historian Jeremy Cobb to retrace her return journey. Meanwhile, 63-year-old convicted murderer Hiram Sorley, who has no recent memory, escapes from a nearby prison.

The Mask of the Night by Mary Ryan
Okay, the beginning was a bit slow, and there were far too many exclamation marks, but once it got going, I zipped through it! A mysterious mask and signet ring, tied to an inquisitor from medieval Venice, and brought to early 20th century Ireland, curses the life of the recipient: Theo becomes 'possessed' by the original owner's spirit, and the desire to find his lady love, an independent woman accused of witchcraft. Theo believes he sees her in his wife's best friend, Jenny. Fifty years later, Dee finds these items in the ruins of Kilashane, Theo's now abandonned and decrepit manor house, and she becomes personally caught up in the intrigue of their past.

A modern Gothic delight

I love overly romanticised, dark, sinister stories. These include Charlotte Bronte's Jane Eyre, "Dragonwyck by Anya Seton, Louise May Alcott's A Long and Fatal Love Chase, anything by Mary Stewart and Barbara Michaels, and my frequently re-read favourites, Emily Bronte's Wuthering Heights and Rebecca by Daphne du Maurier. I would now add a new title to the list: Sleep, Pale Sister.

Sleep, Pale Sister was originally published in 1993 by Joanne Harris, and reissued in 2004. One of its main characters is painter Henry Chester, whose works are influenced by the Pre-Raphaelite Brotherhood, and whose reputation is growing. His subjects are mainly young girls in scenes from Shakespeare or classic tragedies, and feature his favourite model, pale, unearthly Effie. When Effie turns seventeen, Henry, twenty years her senior, marries her. However, his vision of Effie as pure and untouched changes when she welcomes his sexual advances early in the marriage, and disgust and hate replace love and adoration. Henry vows to destroy Effie.

But Henry is not the only one plotting; Moses Harper is not only a rival to Henry in painting, but for Effie's attention. With information and help from Fanny, a brothel owner who has her own vendetta against Henry, Effie and Mose join together to ruin him.

This novel is full of what you would expect in Gothic fiction: a mad wife, a secretive husband, drugs and liquor galore, not to mention prostitutes, nightmares, large spooky houses, and the inevitable graveyard and ghost. Harris uses the device of a different character's point of view for each chapter, which adds to the book's almost frenetic pace and tumultuousness. It's a wild and bumpy ride, perfect reading for dark, chilly, windy nights.

Genius or just lucky?

About twenty years ago, I wrote an undergrad essay on the great Dutch artist Jan Vermeer. During my research, I stumbled across a man named Han Van Meegeren, a somewhat talented but unoriginal painter who has the dubious reputation of fooling both the art world and Nazi leaders during the Second World War. After being ridiculed and dismissed by leading art critics, Van Meegeren became obsessed with showing them for the 'fools' they were by 'creating' a masterpiece by Vermeer, then announcing that it was in fact his own creation.

Since I first saw these works, my thoughts were "how could anyone with eyes, nevermind the most respected art historians in the world, have fallen for this tripe?" Well, author Edward Dolnick succeeds in telling readers just how. The Forger's Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century" in part explains the collection of events that turned Van Meegeren's The Supper at Emmaus from overly-sentimental, insipid rubbish to a Masterpiece. While Dolnick's research is detail oriented, it is not bogged down with too much information, never to the point of inducing boredom. The author presents his information in short, catchy chapters, each a story in themselves. These include the politics of the era, input from past and contemporary art and forgery experts, mini-biographies of the persons involved, Van Meegeren's insightful forging techniques, his success and his fallout.

The Forger's Spell often feels more like fiction than fact, which makes it appealing to art- and history-lovers, as well as readers of fast-paced, psychological thrillers.

A rather charming read...

Penny Nichols (yes, she is aware of the absurdity of her name) is coasting through life: her research job for historical accuracy in made-for-TV films pays the bills, but it's not entirely fulfilling; she's had serious romantic relationships (with her boss, none the less!) but never been really in love; she's been to exciting international locales, but has been too busy working to really enjoy them. But that all changes with one phone call...

Penny's mum informs her that Penny must represent the family in London at the reading of the last will and testament of Great Aunt Penelope, who is represented by Penny's dashing cousin Jeremy. It is revealed that in addition to Aunt P's London apartment, Penny shares inheritance of a French Villa with Jeremy and their dastardly older cousin, Rollo. However, Rollo is not overly fond of the results, and intends to get all of Penelope's French property, by any means. Rollo's actions set into play a whirlwind of activity through three countries, as well as helps Penny makes personal discoveries of her great aunt, that turns Penelope from a lonely, drab old spinster to a woman who loved and lost, and then found a treasure greater than any material item.

C.A. Belmond's A Rather Lovely Inheritance is an entertaining combination of romance, laughs, history, exciting locations, and a mysterious twist. Most of the characters are light and enjoyable (I particularly enjoy Penny's fun-loving parents; what other kind of people would name their child Penny Nichols?), balanced by the greedy Rollo and his ancient mum. Yes, it's rather predictable, and has a happy ending, but it makes you feel warm and fuzzy and comfortable, like having your favourite cup of tea overlooking the Thames.