Showing posts with label unsolved crimes. Show all posts
Showing posts with label unsolved crimes. Show all posts

Wednesday, April 7, 2010

Worth the wait?


I remember several incidents when a new title in Stephen King's Dark Tower series would be released where library patrons would amiable complain that King needed to write the next book faster, as they were impatiently waiting for more! I would question them on whether they thought it would be worth it; perhaps the books were so compelling and left you wanting more because the author took his time writing them. If they were whipped off quicker, would it be as satisfactory?

Several times I've found myself in the same position with my favourite authors, thinking 'come on already, it's been two years! You must have SOMETHING to release!!!' With mystery author Erin Hart, I've been biding my patience for six, yes six, years for her next entry in the Cormac Maguire/Nora Gavin series. The first two titles, Haunted Ground and Lake of Sorrows, focused on Nora's fleeing to Ireland after her sister Triona's murder, seemingly committed by Triona's husband Peter. There, Nora stumbles upon two local mysteries, which she and Cormac help to solve. Hart's new release, False Mermaid finds Nora returning to the U.S. to finally confront her demons, namely, Peter.

The plot focuses on Nora's investigation in the States, where she discovers Peter is engaged to the younger sister of Nora's ex-fiance. She fears that Peter will do to Miranda what he did to Triona: slip her drugs which make her black out, make her suspicious of her own family, manipulate her into otherwise uncharacteristic actions. Nora also worries on how to approach her young niece, Elizabeth, who is unaware of the details of her mother's death,and must adjust to her new step-mother.

The storyline shifts to Co. Donegal, Ireland, where Cormac is trying to bond with his ailing father. There he finds one of his colleagues, a folklorist interested in the history of a missing local woman from the 19th century believed to be a selkie, living with Joseph Maguire in his isolated homestead. The story of the selkie plays a pivotal role in False Mermaid, as Elizabeth, like her mother in her youth, is also intrigued in this 'fairy tale.' So, like Hart's first two mysteries, False Mermaid ties in a current crime investigation with an older one, while examining rituals, traditions, and superstitions of a past people.

So, is False Mermaid worth a six year wait? Uhm, somewhat yes, somewhat no. It's a great book, and very gripping. The tiny details, the intriguing primary and secondary characters, the family relationships, the myth of the selkie tying in with the role of the modern day woman and her freedom and identity, the fast paced storyline, are all fascinating. As a stand alone book, it's excellent; but as part of a series I really enjoy combined with a six year wait, it's a bit of a disappointment. I think this largely stems from the fact that I prefer the Irish setting of the first two books, and the prehistoric subplot, albeit I enjoyed the selkie storyline most in this book. Perhaps if the book had been released in a more timely manner, or Erin Hart was a new author to me and I read the three books in quick succession, then my anticipation would not have reached the almost unbearable stage, and my expectations may have been better satisfied.

That said, however, nothing could have prepared me for the somewhat, I felt, rushed ending, which truly had me scratching my head in confusion regarding certain elements, but also leaving me feeling dread at its sense of finality! I want more! And hopefully before 2016!

Tuesday, December 22, 2009

Glad I gave in!


It's a story that is all too prevalent in society: the sudden and total disappearance of an individual. We hear, read and see stories in the news, of the missing person, the search parties, the neighborhood coming together in support, the person found, sometimes alive, sadly, more often not, and sometimes gone forever. Time passes, the story fades away, another is unfortunately always ready to takes its place, and people forget that those close to the missing person still must continue to exist without their loved one.

Because of these disturbing real life stories, I admit, for years I have been reluctant to read Alice Sebold's The Lovely Bones. For the few people unfamiliar with this modern classic novel, the plot focuses on Suzie Salmon ("like the fish"), who is brutally murdered by a neighbor at the age of fourteen. However, unlike in the media, her personal story does not end there: the book is told in first person narrative by Suzie herself. She watches the members of her family (parents, younger siblings and grandmother) and her friends cope with her disappearance, through the initial shock, their suspicions, and their ability, or disability, to let go and move on. We see them break apart from one another, and within themselves, trying to heal in their own ways. Some reach out for help, while others find solitude easier, even if it means hurting other survivors.

What struck me about The Lovely Bones is how Sebold manages to write such a heartbreaking story and infuse it with hope, perseverance and, yes, even some levity. Suzie's grandmother Lynn, an impeccably dressed, alcohol dependent, tell-it-like-it-is woman, particularly adds lightness, despite her harsh manner and words, as does Ruth, the schoolmate who swears she saw Suzie's ghost near where she was murdered.

The film version of The Lovely Bones is due out early next year. I don't know how the book will transfer to film, how Suzie's version of heaven will be achieved, but hopefully it will do this wonderful book justice.

Tuesday, September 29, 2009

Remarkable Russell


After an agonising four years, mystery author Laurie R. King brings Mary Russell and her husband, the great Sherlock Holmes, back in The Language of Bees. King's dynamic duo not only returns in print, but after seven harrowing months abroad, home to Sussex. Immediately, Holmes is immersed in a domestic mystery of the 'death' of one of his beehives. What the two don't realise is that soon, a bigger mystery will overtake their lives, tracking down Holmes' son Damian Adler. Adler is accused in a number of murders and disappearances, including that of his own wife and daughter. The violent episodes appear to centre around celestial events and ancient monuments such as Stonehenge.

The characteristic I enjoy most about King's Mary Russell series is its old-fashioned quality. In this day and age of fax machines, emails, digital cameras, television and mobile phones, it would be relatively easy to inform the public about the roaming of a dangerous predator. Not so for poor Russell; in order to try to apprehend her suspect, she hires the (supposedly) quickest form of transportation, a single engine airplane, which still takes her a matter of days and a great deal of frustration to travel eleven hundred kilometres. I also enjoy Holmes' classic keen sense of observation, and deduction of an item's appearance at a crime scene. Clever language and fine detail are key components; these are not fast paced books, but they offer suspense and intrigue, all the while encouraging readers to take their time and relish it all.

Tuesday, September 15, 2009

An untimely passing



A while ago, I listed a number of my favourite mysteries. Included on the list was the Lara McClintoch Archeaological Series by Lyn Hamilton. It was with regret that I read about Hamilton's death from cancer over the weekend.

Lara, a Toronto based antiques dealer, came to being late in Hamilton's life. After working in communications, and being responsible for archeological and heritage conservation projects as director of Ontario's Cultural Programs Branch, the author published The Xibalba Murders in 1997. The title earned her a nomination for the Arthur Ellis Award for best first crime novel in Canada. Her 2003 book, The Celtic Riddle, served as the basis for a Murder She Wrote television movie, with Jessica Fletcher taking over from Lara as sleuth. With eleven adventures under Lara's belt, Hamilton wrapped up the series in 2007 with The Chinese Alchemist, in order to focus on helping new writers, and with a vague promise that she may return to writing. A private person, she was likely already fighting her cancer.



The elements I enjoy about the Lara McClintoch series, in addition to Lara's unenviable talent to stumble upon a murder virtually everywhere she went, are Hamilton's interests in the archaeology and history of different geographical regions and cultures. I always felt like I was taking a mini-vacation, albeit a bloody and violent one, while learning bits and pieces of said regions and cultures. And Lara is a likable, feisty, and intelligent heroine. And a pretty good sport, considering her outings inevitably end up far from relaxing.

For anyone who has not indulged themselves in one of Lyn Hamilton's mystery, I think it would be a wonderful homage to the author to pick one up and feel some regret that her talent was lost too soon.


For a complete list of Hamilton's Lara McClintoch series and more information, visit her website at www.lynhamilton.com.

Friday, February 6, 2009

Unputtdownable!!!





Twenty years ago, Adam Ryan and his two best friends walked In The Woods to play, but only Adam came out. Now known as Rob, he is a detective in Dublin with his partner, Cassie Maddox, who is one of the few people to know his secret. When the murder investigation of a young girl takes them to the same woods, Rob deals with disturbing memories, trying to see if it ties in with his horrible past.

The Likeness follows Cassie in an undercover investigation, trying to find out who murdered a young Trinity College grad student who not only looks exactly like Cassie, but whose name is Lexie Madison, the same name Cassie used years earlier while posing as a student to infiltrate a drug ring. Under the pretense that Lexie survived her attack, Cassie poses as the dead woman. While getting close to Lexie's small circle of friends and housemates in her search for the murderer, Cassie finds herself a bit too comfortable in her new living arrangements.

Tana French writes gripping and gritty psychological police dramas that had me ignoring my promise to myself to 'just read one more chapter.' Her use of language is superlative, her characters flawed and human, her situations frustrating and disturbing. Combined, these traits make some of the best reading I've experienced in several years.