Keyes' Brightest?

Marian Keyes has been one of my favorite authors since one of her early books, Last Chance Saloon, caught my attention over a decade ago. Its plot consists of Tara, Fintan and Katherine, friends since the days of "legwarmers, pink stretch jeans and Duran Duran." Sure, it, like most of Keyes' novels, had it's serious moments, like dead-end relationships, broken hearts, characters' negative self esteem in regards to their bodies, drug addiction, and later on physical abuse, and tragic death, but it also had lots of laugh out loud funny scenes, witty and a bit over the top, that tended to overshadow the 'tragedy' of everyday life.

In her latest release, The Brightest Star in the Sky, Keyes' introduces an unseen, unnamed, 'magical' character who is able to infiltrate the daily lives of the numerous residents of 66 Star Street, Dublin, a la her fellow Irish author, Cecelia Ahern. Almost a dozen main characters and even more secondary ones flit through the narrative. My personal favorite, although I am reluctant to admit it, is the tiny but tough (okay, bitchy) Lydia, who mysteriously moves from a comfortable flat with her best friend into a cramped apartment with two Polish male students who cringe in fear from her. There is also Katie, a 40 year old 'babysitter' to artistes, who is on the rebound from her workaholic boyfriend Conall with the young and sexy Fionn; Matt and Maeve, a young couple whose early married life was horrifically marred seemingly beyond repair, and Jemima, Fionn's foster mother, a holder of great wisdom surrounded by despair and confusion, round out the residents.

While I did enjoy The Brightest Star in the Sky, and how the characters' lives would intertwine, I did however find that there was a bit too much going on, a few too many characters, to have this book replace Keyes' others as my favorites. And the magical element didn't quite do it for me. Now, to qualify my statement, I'm not saying this is a bad book: Keyes' style has grown to be more than light-hearted 'chick-lit,' her characters more developed, her situations less wacky. It is, in my opinion a good book, but lacks the levity of her previous writings. If you are considering embarking on a relationship with Keyes, I strongly recommend her earlier titles if you're looking for laughs, then grow with her into her later fiction.

Knowledge is but a clicker box away

Ah, winter. Darkness, warm clothes and cuddly blanket, hot chocolate. All things that make me feel cozy, and physically lazy (especially after a few hours of cross country skiing or walks in the snow). Ironically, it is the time I feel most intellectually stimulated, and I seek out non-fiction as much as 'deep' fiction.

However, when life deems that reading time is allotted but in small chunks, non-fiction, full of dates, facts and figures, is not the optimum choice. What's a reader to do?

Turn on the TV!

I don't do it often, but now and then I rise early in the morning, taking my cuddly paraphernalia in the basement where my TV is, and indulge in some great documentaries. I just finished discs 1-4 of the BBC's The Private Life of a Masterpiece. They contain thirteen 'biographies' of some of history's most celebrated works of art. Starting with magnificent La Primavera by Sandro Botticelli, the series examines works from Italian Renaissance, Dutch and Spanish Baroque, and early Romanticism, a classic Japanese print, and ending with the birth of modern art.

Despite having studied art history pretty much all my adult life, I have yet to see most of these works, so it adds some dimension to seeing the works' settings, rather than just the image head on. There is a greater impact seeing Leonardo's Last Supper as it is meant to be, as part of a monastery's refectory, and imagine the impact of sitting and dining under this powerful painting! Also, some of the musings from the interviewees makes me stop and realise "hey, I never thought about it that way." My particular favorite episodes thus far are Edvard Munch's The Scream and James McNeill Whistler's Arrangement in Grey and Black No.1 - Portrait of the Artist's Mother, oddly enough, since I've never been much of a modernist. Perhaps now I'm ready to learn about that which used to turn me off.

Ah, the power of television.

A parent's worst nightmare: Part 2

John Hart's suspense novel, The Last Child, is a book for which readers need to be prepared: not by brushing up on historic events, not by reading prequels, but to psychologically be immersed in a dirty, squalid, evil world of missing children, drugs, alcohol, and abuse. Also, be prepared to set aside a few hours to become lost in the storyline.

The Last Child centres around 13 year old Johnny Merrimon, one year after the disappearance of his twin sister Alyssa. During that year, the Merrimon family went from middle class, happy, secure and loving to broken, poverty stricken, and distraught. Johnny's mum, Katherine, blames her husband for not fulfilling his promise to pick Alyssa up from the library, and guilt causes him to quickly leave his remaining family. Meanwhile, Katherine moves herself and Johnny into the slums of town, and only gets through the day by taking a wild assortment of pills, supplied by the town's richest citizen and her husband's former boss, Ken Holloway, who also physically abuses her.

Johnny's only friend, Jack, has his own issues: his arm is deformed from a childhood accident, his brother is a bully about to embark on a promising sports career, his father, a police detective, only has eyes for the older son, and Jack's mother, a fervently religious woman, prays for her youngest, who has taken to skipping school and numbing his emotional pain through alcohol. He is the only witness to Alyssa's abduction as she was pulled into a white van. Jack also is the only one to support Johnny in his obsession to find Alyssa, which leads them into incredibly dangerous situations tracking the scummiest characters in the area: child molesters.

Hart's book is not an easy read; it is cluttered and complicated, with many twists and turn, some which appear too coincidental to be conceivable. There's almost too much tragedy to make it believable, but it does show that 'ordinary' people can have their lives turned around quickly. It is difficult to read not only because of the disappearance of Alyssa, but the various family dynamics. Not only are Johnny's and Jack's families messed up, the lead detective in the case, Clyde Hunt, has lost his wife and is losing his only son because of his compulsion to solve Alyssa's disappearance. Throw in convict Levi Freemantle, with his own slew of problems, and you have some of the sorriest group of people you'll ever meet in literature.

Despite these 'flaws,' the book is compelling and difficult to put down. I may not have liked any of the characters, but I wanted to know the outcome. Hart manages to make the book's climax even more of a page turner by shortening his last few chapters, increasing tension and quickening the pace of the action.

I've read several books about missing children, some with 'happy' resolutions, some sad, and some with no resolution at all. The Last Child lacks the emotion and fullness of characterisation of some of the others, but it is a satisfying thriller that will keep you up late into the night.

Great Gamache

Quebec author Louise Penny's latest installment of her Three Pines series, like her previous titles, does not disappoint. The Brutal Telling again features the brilliantly conceived Chief Inspector Armand Gamache, an intelligent, well-read, calm and highly respected murder investigator, his right-hand man Inspector Beauvior, quick tempered and narrow minded, and a bevy of local characters, including the horrendously mannered award winning poet Ruth Zardo and her pet duck, competing husband and wife artists Peter and Clara Morrow, and larger than life Gabri who runs a bistro with his partner Oliver, the latter of whom is at the centre of the book's investigation.

When a dead body is found in Oliver's bistro, a bizarre set of circumstances unfolds. Was the man local? Why does no one recognise him? Where does he live? How old is he? And how did he acquire the priceless items eventually found at his residence? Penny reveals the answers to these questions with an old-time mystery appeal. The plot is intriguing, and twists and turns from what seems to obvious answer. It is vivid in its imagery and description, and the balance of characters and their interplay is realistic and engaging. For example, Beauvoir, a bit lacking in romanticism and imagination, is amazed that Gamache can take the time to admire a stunning sunset in the middle of a murder investigation, or 'marvel' in the perfection of an autumn leaf.

The dry sense of humour is also delightful. A mother responds to her son's incredulousness about his father being alive after years of supposing he was dead with "I might have exaggerated." As a former Montreal Anglophone, I particularly like Beauvoir's observations on long-standing cultural prejudices, such as "the English he knew to be all the same. Nuts."

The town of Three Pines itself is a major character in Penny's books. Nestled in Quebec's Eastern Townships, amidst maple trees and gently rolling hills, many of the characters are former Montrealers who gave up the fast paced lifestyle and stressful city lifestyle for a quieter life in the country. In fact, Penny's descriptions of Three Pines has helped to increase tourism to that region. The combination of location and characters makes all of Penny's books sensational reading.

http://www.manoirhovey.com/presse/Globe%20and%20Mail%2009%2012%2018.pdf

Also see Penny's website for titles in the series, pronunciation guides, and photos of the Eastern Townships.

http://www.louisepenny.com/

Examination of a marriage

My relationship with author Anita Shreve's books is hit and miss. I either absolutely love her novels, or just don't see the point and regret spending my time waiting for 'something' to happen (yes, I give her the benefit of the doubt and read to the end). It's rarely in between. Her latest novel, A Change in Altitude, was, for me, another hit (phew).

The plot centres around photographer Margaret and Peter in the 1970s, a young newlywed couple from Boston who relocate to Kenya to concentrate on Peter's medical career. There, they meet Arthur and Diana, both British, but Diana Kenyan born, with two school age children. The older couple welcome Margaret and Peter into their lives, albeit with some reserve, renting a cottage out to them, and then letting them live in their home when the cottage's plumbing breaks down.

It's taken for granted that Margaret and Peter will join Diana and Arthur and another couple on a climb of Mount Kenya, despite Margaret not being consulted or at all enthusiastic about it. While on the climb, an accident claims a life, and the repercussions of events leading up to it introduce cracks in Peter and Margaret's new marriage, especially when she begins to work with Rafiq, a local journalist.

A Change in Altitude is about more than just a look at a marriage. Surrounding it are hints of personal and political stories of Kenya in the 1970s; women's rights, tribal affiliations, corrupt governments, tourism, nature, riches and poverty and class structure, and colonialism. Shreve somehow successfully combines all this into just 307 pages without becoming preachy or didactic. While I admit that with the exception of Rafiq, I didn't care for any of the main characters, I was intrigued by the story, interested in how or if the couple would confront their marital problems, and how their relocation to a foreign country with a vastly different history would affect them.

Thumbs up!

A tribute

Next time you walk into the Creston Library, take a look around. Enjoy the space, the bright airiness, the huge windows, the grand view. Then take a silent moment to thank Lawrence Lavender.

For anyone who did not have the pleasure of meeting Lawrence, he was the library board's chair for several years. His tenure saw three librarians, a handful of mayors, a referendum, a portable addition to our old location, and, finally, the securing of this new beautiful location and a big move! Sadly, Lawrence passed away last week, and his loss will be strongly felt within these walls.

If not for Lawrence's tenacity, we may still be in our cramped, moldy, dark, unhealthy former location. Yes, a lost referendum ten years ago meant we did not have a building to our specifications, but despite disappointment, Lawrence kept our spirits up and was determined that Creston would have a proper library. His voice meant that when this building became available upon the relocation of the Health Unit, the words 'new library' couldn't help but be at forefront.

When I think of Lawrence, a few outstanding characteristics come to mind: fair, respectful, focused, generous, and possessor of decency, and of a great chuckle.

My most esteemed thanks to Lawrence for all he did for us, as a library, a town, and individuals.

New year, 'new' author

A few weeks ago I wrote about my favourite books which combine past and present lives. Here is an addition to that list!

A new 'discovery' for me, author M.J. Rose's The Reincarnationist focuses on Josh Ryder, a photographer who, while enraptured with a confrontation between a police officer and a woman pushing a stroller, has a near death experience. Afterwards, he has visions of Julius, a 4th century pagan priest in Rome. Julius watches as Emperor Theodosius outlaws paganism, disbands the Vestal Virgins, and authorises the destruction of non-Christian places of worship.

In present day Rome, Josh becomes involved with Professor Gabriella Chase, an historian interested in a 4th century tomb of the last Vestal Virgin, who's mummimified body clasps a collection of precious gems. The gems are believed to be The Memory Stones, which are crucial to people being able to remember past lives. When they are stolen, Josh and Gabriella become entwined with numerous questions, threats and dangers.

The Reincarnationist is a great thriller, a la Da Vinci Code, albeit a bit of a slower pace, and with substantially less information (which is not a negative characteristic!). There were certain sections, which while interesting, I think could have been left out without detracting from the story. Also like The Da Vinci Code, the book is more than just a thriller: it is a commentary on religion, politics and leaders, particularly the subject of reincarnation in Christian culture. As the characters of the book point out, if a soul is reborn and humans in charge of their fate and afterlife, it would detract power from the Church and its leaders as the sole method of absolution on earth.

A good way to start off a new year of reading.